Here are this week’s releases:
How do you live your life if your past is based on a lie? A new novel in both verse and prose from #1 New York Times bestselling author, Ellen Hopkins.
For as long as she can remember, it’s been just Ariel and Dad. Ariel’s mom disappeared when she was a baby. Dad says home is wherever the two of them are, but Ariel is now seventeen and after years of new apartments, new schools, and new faces, all she wants is to put down some roots. Complicating things are Monica and Gabe, both of whom have stirred a different kind of desire.
Maya’s a teenager who’s run from an abusive mother right into the arms of an older man she thinks she can trust. But now she’s isolated with a baby on the way, and life’s getting more complicated than Maya ever could have imagined.
Ariel and Maya’s lives collide unexpectedly when Ariel’s mother shows up out of the blue with wild accusations: Ariel wasn’t abandoned. Her father kidnapped her fourteen years ago.
What is Ariel supposed to believe? Is it possible Dad’s woven her entire history into a tapestry of lies? How can she choose between the mother she’s been taught to mistrust and the father who has taken care of her all these years?
In bestselling author Ellen Hopkins’s deft hands, Ariel’s emotionally charged journey to find out the truth of who she really is balances beautifully with Maya’s story of loss and redemption. This is a memorable portrait of two young women trying to make sense of their lives and coming face to face with themselves—for both the last and the very first time. (Source)
A mysterious woman with her own agenda rescues a captured GhostWalker soldier held by a secret enemy. Together they uncover a conspiracy that extends beyond the reaches of the US government and proves a deadly threat to national security… (Source)
There’s no such thing as a little in love…
Elle Wheaten’s priorities: friends, career, and kick-ass shoes. Then there’s the muscular wall of stubbornness that’s security expert Archer Hunt—who comes before everything else. No point in telling Mr. “Feels-Free Zone” that, though. Elle will just see other men until she gets over Archer . . . which should only take a lifetime . . .
There’s no such thing as a little in lust…
Archer’s wanted the best for Elle ever since he sacrificed his law-enforcement career to save her. But now that she’s earned happiness and success, Archer just wants Elle 24/7. Their chemistry could start the next San Francisco Earthquake, and Archer doesn’t want to be responsible for the damage. The alternative? Watch her go out with guys who aren’t him . . .
There is such a thing as…
As far as Archer’s concerned, nobody is good enough for Elle. But when he sets out to prove it by sabotaging her dates, she gets mad—and things get hot as hell. Now Archer has a new mission: prove to Elle that her perfect man has been here all along… (Source)
Seventeen-year-old Raychel is sleeping with two boys: her overachieving best friend Matt…and his slacker brother, Andrew. Raychel sneaks into Matt’s bed after nightmares, but nothing ever happens. He doesn’t even seem to realize she’s a girl, except when he decides she needs rescuing. But Raychel doesn’t want to be his girl anyway. She just needs his support as she deals with the classmate who assaulted her, the constant threat of her family’s eviction, and the dream of college slipping quickly out of reach. Matt tries to help, but he doesn’t really get it… and he’d never understand why she’s fallen into a secret relationship with his brother. The friendships are a precarious balance, and when tragedy strikes, everything falls apart. Raychel has to decide which pieces she can pick up – and which ones are worth putting back together. (Source)
Mary B. Addison killed a baby.
Allegedly. She didn’t say much in that first interview with detectives, and the media filled in the only blanks that mattered: A white baby had died while under the care of a church-going black woman and her nine-year-old daughter. The public convicted Mary and the jury made it official. But did she do it? She wouldn’t say.
Mary survived six years in baby jail before being dumped in a group home. The house isn’t really “home”—no place where you fear for your life can be considered a home. Home is Ted, who she meets on assignment at a nursing home.
There wasn’t a point to setting the record straight before, but now she’s got Ted—and their unborn child—to think about. When the state threatens to take her baby, Mary must find the voice to fight her past. And her fate lies in the hands of the one person she distrusts the most: her Momma. No one knows the real Momma. But who really knows the real Mary? (Source)
Please make a list of every possession you consider essential to your life.
The request seems odd, even intrusive—and for the two women who answer, the consequences are devastating.
Reeling from a traumatic break-in, Emma wants a new place to live. But none of the apartments she sees are affordable or feel safe. Until One Folgate Street. The house is an architectural masterpiece: a minimalist design of pale stone, plate glass, and soaring ceilings. But there are rules. The enigmatic architect who designed the house retains full control: no books, no throw pillows, no photos or clutter or personal effects of any kind. The space is intended to transform its occupant—and it does.
After a personal tragedy, Jane needs a fresh start. When she finds One Folgate Street she is instantly drawn to the space—and to its aloof but seductive creator. Moving in, Jane soon learns about the untimely death of the home’s previous tenant, a woman similar to Jane in age and appearance. As Jane tries to untangle truth from lies, she unwittingly follows the same patterns, makes the same choices, crosses paths with the same people, and experiences the same terror, as the girl before. (Source)