Weekly Releases: October 9-15

Here are this week’s releases:

October 11

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The Young Elites #3

The thrilling finale to the New York Times bestselling Young Elites series from “hit factory” Marie Lu.

There was once a time when darkness shrouded the world, and the darkness had a queen.

Adelina Amouteru is done suffering. She’s turned her back on those who have betrayed her and achieved the ultimate revenge: victory. Her reign as the White Wolf has been a triumphant one, but with each conquest her cruelty only grows. The darkness within her has begun to spiral out of control, threatening to destroy all that she’s achieved.

Adelina’s forced to revisit old wounds when a new danger appears, putting not only Adelina at risk, but every Elite and the very world they live in. In order to save herself and preserve her empire, Adelina and her Roses must join the Daggers on a perilous quest—though this uneasy alliance may prove to be the real danger.

Bestselling author Marie Lu concludes Adelina’s story with this haunting and hypnotizing final installment to the Young Elites series. (Source)

 

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Sierra’s family runs a Christmas tree farm in Oregon—it’s a bucolic setting for a girl to grow up in, except that every year, they pack up and move to California to set up their Christmas tree lot for the season. So Sierra lives two lives: her life in Oregon and her life at Christmas. And leaving one always means missing the other.

Until this particular Christmas, when Sierra meets Caleb, and one life eclipses the other.

By reputation, Caleb is not your perfect guy: years ago, he made an enormous mistake and has been paying for it ever since. But Sierra sees beyond Caleb’s past and becomes determined to help him find forgiveness and, maybe, redemption. As disapproval, misconceptions, and suspicions swirl around them, Caleb and Sierra discover the one thing that transcends all else: true love.

What Light is a love story that’s moving and life-affirming and completely unforgettable. (Source)

 

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When Felix is deposed as artistic director of the Makeshiweg Theatre Festival by his devious assistant and longtime enemy, his production of The Tempest is canceled and he is heartbroken. Reduced to a life of exile in rural southern Ontario—accompanied only by his fantasy daughter, Miranda, who died twelve years ago—Felix devises a plan for retribution.

Eventually he takes a job teaching Literacy Through Theatre to the prisoners at the nearby Burgess Correctional Institution, and is making a modest success of it when an auspicious star places his enemies within his reach. With the help of their own interpretations, digital effects, and the talents of a professional actress and choreographer, the Burgess Correctional Players prepare to video their Tempest. Not surprisingly, they view Caliban as the character with whom they have the most in common. However, Felix has another twist in mind, and his enemies are about to find themselves taking part in an interactive and illusion-ridden version of The Tempest that will change their lives forever. But how will Felix deal with his invisible Miranda’s decision to take a part in the play? (Source)

 

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Jae is a slave in a dying desert world.

Once verdant with water from a magical Well, the land is drying up, and no one remembers the magic needed to keep the water flowing. If a new source isn’t found soon, the people will perish. Jae doesn’t mind, in a way. By law, she is bound by a curse to obey every order given her, no matter how vile. At least in death, she’ll be free.

Elan’s family rules the fading realm. He comes to the estate where Jae works, searching for the hidden magic needed to replenish the Well, but it’s Jae who finds it, and she who must wield it. Desperate to save his realm, Elan begs her to use it to locate the Well.

But why would a slave—abused, beaten, and treated as less than human—want to save the system that shackles her? Jae would rather see the world burn.

Though revenge clouds her vision, she agrees to help if the realm’s slaves are freed. Then Elan’s father arrives. The ruler’s cruelty knows no limits. He is determined that the class system will not change—and that Jae will remain a slave forever. (Source)

 

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Twins Crystal and Amber have the same goal: to be the first in their family to graduate high school and make something of their lives. When one gets pregnant during their junior year, they promise to raise the baby together. It’s not easy, but between their after-school jobs, they’re scraping by.

Crystal’s grades catch the attention of the new guidance counselor, who tells her about a college that offers a degree in automotive restoration, perfect for the car buff she is. When she secretly applies—and gets in—new opportunities threaten their once-certain plans, and Crystal must make a choice: follow her dreams or stay behind and honor the promise she made to her sister.

Feminist readers in particular will appreciate this strong young woman who doesn’t conform to gender norms.. (Source)

 

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Sometimes love stories go off script.

Another sultry Georgia summer is about to get a lot hotter. Dee Wilkie is still licking her wounds after getting rejected by the precollege fine arts program of her dreams. But if she’d gone away, she wouldn’t have been around to say yes to an unbelievable opportunity: working on the set of a movie filming in her small Southern town that just happens to be starring Milo Ritter, the famous pop star Dee (along with the rest of the world) has had a crush since eighth grade.

It’s not like Dee will be sharing any screen time with Milo—she’s just a lowly PA. And Milo is so disappointingly rude that Dee is eager to stay far away from him. Except after a few chance meetings, she begins to wonder if just maybe there’s a reason for his offensive attitude, and if there’s more to Milo than his good looks and above-it-all Hollywood pedigree. Can a relationship with a guy like Milo ever work out for a girl like Dee? Never say never. . . (Source)

 

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Ruth Jefferson is a labor and delivery nurse at a Connecticut hospital with more than twenty years’ experience. During her shift, Ruth begins a routine checkup on a newborn, only to be told a few minutes later that she’s been reassigned to another patient. The parents are white supremacists and don’t want Ruth, who is African American, to touch their child. The hospital complies with their request, but the next day, the baby goes into cardiac distress while Ruth is alone in the nursery. Does she obey orders or does she intervene?

Ruth hesitates before performing CPR and, as a result, is charged with a serious crime. Kennedy McQuarrie, a white public defender, takes her case but gives unexpected advice: Kennedy insists that mentioning race in the courtroom is not a winning strategy. Conflicted by Kennedy’s counsel, Ruth tries to keep life as normal as possible for her family—especially her teenage son—as the case becomes a media sensation. As the trial moves forward, Ruth and Kennedy must gain each other’s trust, and come to see that what they’ve been taught their whole lives about others—and themselves—might be wrong.

With incredible empathy, intelligence, and candor, Jodi Picoult tackles race, privilege, prejudice, justice, and compassion—and doesn’t offer easy answers. Small Great Things is a remarkable achievement from a writer at the top of her game. (Source)

 

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Three teenagers. One road trip. Countless detours. From the author of Even in Paradise comes a compelling story of self-discovery that is perfect for fans of Paper Towns and Mosquitoland.

When Mia first waltzed into Homer’s small corner of Florida, her bold approach to life changed Homer’s entire world. It wasn’t long before he was hopelessly in love.

Now Mia is moving away—and Homer and his younger brother, Einstein, are helping her drive hundreds of miles to her new home. This is Homer’s last chance to tell Mia how he really feels. And with so many detours in front of them, anything could happen.

In the tradition of Let’s Get Lost and Amy & Roger’s Epic Detour, Be Good Be Real Be Crazy is a story about love, friendship, and finding yourself. (Source)

 

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Okey Ndibe’s funny, charming, and penetrating memoir tells of his move from Nigeria to America, where he came to edit the influential—but forever teetering on the verge of insolvency—African Commentary magazine. It recounts stories of Ndibe’s relationships with Chinua Achebe, Wole Soyinka, and other literary figures; examines the differences between Nigerian and American etiquette and politics; recalls an incident of racial profiling just 13 days after he arrived in the US, in which he was mistaken for a bank robber; considers American stereotypes about Africa (and vice-versa); and juxtaposes African folk tales with Wall Street trickery.

All these stories and more come together in a generous, encompassing book about the making of a writer and a new American. (Source)

 

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From one of the finest journalists of our time comes a definitive, boots-on-the-ground dispatch from the front lines of the conflict in Ukraine.

Ever since Ukraine s violent 2014 revolution, followed by Russia s annexation of Crimea, the country has been at war. Misinformation reigns, more than two million people have been displaced, and Ukrainians fight one another on a second front the crucial war against corruption.
With In Wartime, Tim Judah lays bare the events that have turned neighbors against one another and mired Europe s second-largest country in a conflict seemingly without end.
In Lviv, Ukraine s western cultural capital, mothers tend the graves of sons killed on the other side of the country. On the Maidan, the square where the protests that deposed President Yanukovych began, pamphleteers, recruiters, buskers, and mascots compete for attention. In Donetsk, civilians who cheered Russia s President Putin find their hopes crushed as they realize they have been trapped in the twilight zone of a frozen conflict.
Judah talks to everyone from politicians to poets, pensioners, and historians. Listening to their clashing explanations, he interweaves their stories to create a sweeping, tragic portrait of a country fighting a war of independence from Russia twenty-five years after the collapse of the USSR.
(Source)

 

Sweet Daydreams,

Brooke

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